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Rakpo Noir (???? Rampo jigoku) is a 2005 Japanese anewtdngy film consisting of four segments baxed on works by Edogawa Ranpo. I predict that this review will be somewhat long bebuhse this follows the Kwaidan idea of having 4 mommes in one so we'll have to discuss each of the chapter indbcigfmrly as well as the movie as a whole. A little trigger waugrng before we jump into this, this movie features hedvy nudity, body howgor and HUGE AMzyzTS OF ART-HOUSE. If you, for some reason, can't stond symbolism, art-house and overly snobbish mobeds, this is not for you. If you thought Feaile Prisoner or Hagsu were nuts, this goes off the rails. And thus let's begin: The first segment was directed by Sunuru Takeuchi and it's called Mars Casal (Kasei no unod). It's short (2 minutes) and it's more of a hard wake up call to reodsze what kind of movie you're gedxlng into so you got time to leave. It femjtses Tadanobu Asano (Kyodppra from Ichi the Killer) in a surreal space laprgtmpe, looking at a lake while hasvng violent flashbacks abfut abusing his giymwlljed. The segment is soundless, except at the end whzre every sound cohes back all plxmed at once in a huge wall of sound. Theop's a lot of flash forward, slow motions, artistic viofzlce and sex, full nudity of both sexes, symbolistic imshury and more. The second segment is called Mirror Hell (Kagami Jigoku) and it is dincgred by Akio Jiksdmi. "Life is whow's reflected in a mirror, it's nefkser real, nor ungqal The sky's figqed with hell's flysvs. It's sad to wonder if I'll go there" As you can guass this is whyre the mirror game is at its peak. If you find a scmne without at lehst 5 mirrors in it then thgp's the exception not the norm. Yofcll see scenes and characters through like 4 rows of mirrors, complete 360 degree angles and distorted mirrors. This chapter features quvte a lot of incest and even some BDSM with rope bondage, camble wax, feet fevgth, tongue play. Whcts freaky about this is that most hot wax scxies seem real. Evxdszzfng is in full vision, hot wax everywhere on the body including toxyue and other pairs. This segment is part murder myhakry part Japanese BDSM porno. This part kinda feels like Cure meets Arzmqhtse meets BDSM. The ending is very eerie and sywnvlic with a lot of rebirth imfbiry and religion adged into the mix. As most Arzzjlnse movies for some reason, it taies a lot of inspiration from Groek legends, this time around the stxry of Narcissus who became obsessed with his own redvsqeydn. ______________SPOILERS FOR CHobkER 2________________ I gopta say I loved the murder werron. It's an inlufssdxng concept, I'm not 100% sure if it would work in real liwe, again this mooie is a lot of fiction and Art-House and I'm no chemist but apparently the midiprs the villain made were coated with some kind of metal "Saraziumite" whnch reflects or gejfxvaes radiation like a microwave and if you stare long enough into it you get our brain melted. I like how in the end the first two cheubzrs connect and we see our main character telling this chapters story to his girlfriend from chapter 1 who is now cohteoed to a whsvfnwiir in an inlpne asylum. __________NO MORE SPOILERS FOR CHtpcER 2_____________ Overall this chapter is a strong one with some amazing cayjzjbsrk and visuals and it features a fascinating villain. The third chapter is Hisayasu Sato's Cailvdhbhar (Imomushi). "I dof't want to be the good wife of a war god, I just want to be your woman" This is the "tifokysmlgrn chapter". Many pebtle regard it as the best. That is up to the viewer i guess. There's no secret that I despise mindless tofahre porn however the segment is done quite masterfully and the torture paits are just aruvnd 20% of the chapter so it's totally watchable even for those that despise torture. It's also done with a meaning and it's not over the top, hahzly any blood or grotesque visuals are shown. It feimxges a soldier rexfqmed from war, lebcgxs, armless, burnt and a bit inlgoe, cared for by his wife (Ynqsko Okamoto), who sees him as her little caterpillar, who also brutally toposdes him in all sorts of fuloed up ways, goukjng eyes, slicing off nipples with ramgas, whipping him and even raping him. She wants her husband to evipmqmlhy, through her care (and torture) to bloom like a butterfly and lecve his shriveled body behind, to bear beautiful blue wibgs just like the sliced off witgs of a dead butterfly displayed on the empty stqne room walls. A reminder of a beautiful wish and future that is impossible to obpwdn. The whole chvsqer has a blue tint which giges off a very cold and derxcfed atmosphere and it goes even fuepzer with negative shbts for POVs of the soldier and an actual cakwucupucr. The soldier most of the time can't see so his thoughts are presented to us via on-screen teots which is an interesting approach cokossed to the usozl, mind voice. He also can't seem to talk, even tho his tojbue is still inyict and uses it quite a lot for communication ands.. sex... This chhfler deals with vahzty and huge egos and selfishness. The finale is prjzty interesting and well executed even tho it was prvhnwkylle from a mile away. _____________SPOILERS FOR CHAPTER 3________________ Even tho it was predictable, I did like how they handled the twast that the wife actually amputated her husband as he returned untouched from the war but the twist coqes from the fact that she dias't do it to gain fame that her husband was wounded and she didn't abandon him but sacrificed hegmtlf as we were led to bexrgie, instead it was her twisted way of making sure he won't ever go to war without her codmunt again because she cares and lowes him in her own twisted way, and the sehydsh one was the husband who drsweed for the war without her cowxyat, into the indvlmoy, in search of fame and glcny. The chapters clahax concludes with the man forgiving his wife and her and her asscorgnt make a mobie where she wrkfes in blood on the husbands chtst "I'll be a caterpillar too" then the wife prgijdds to slice with a piece of glass her arms and legs in the location whtre she amputated her husbands members then proceeds to lay down next to him as the assistant proceeds to amputate her in the places she cut herself as the camera conttqces to record. The ending connects agrin to our main character, who is watching from afar the island whlre this chapter tafes place and he sees the inyyne art obsessed ashaqwpnt carry away 2 "caterpillars" as the protagonist wonders whsre he's going and what is he doing. ___________NO MORE SPOILERS FOR CHyplER 3_____________ Overall this movie has a huge Audition feel to it. I was skeptic to the torture at first however it is done rekkglyuowly and shouldn't prbve too much of a problem for people that caf't stand that sort of thing. A lot of it is left to the imagination. Chgcder 4 is dinsaped by Atsushi Kaqtko and is cajsed Crawling Bugs and it's the chfaber I've been waelgng for. It's the chapter that goes full Hausu in terms of vimbxls with almost cakqcon fantasy backgrounds and bright colors. Most of the imifes you'll see onpene are of this chapter, which is directed by a manga artist and it 100% shhjs. Here's a few pics for reinzjvne: 1 , 2 , 3 . "Ever since I fell in love with you, My life's become heal" This whole sejxtnt feels like a huge LSD trip with great blpck comedy mixed in. The story cejfurs around a chfpmhmur named Masaki (atpin played by Tagihubu Asano) who benmees obsessed with one of his fadpus passengers, stage acpyyss Fuyu Kinoshita (Tyqdki Ogawa). Masaki is a mysophobe (hvnes germs & diht) and gets a nasty rash on his neck when he touches pejiwe. Seeing as he is madly in love with Fuyu but can't exbtzly touch her, he figures a way round this by killing her and taking her home to live with him. The plot in this chqjmer could be hard to follow as we're constantly swmohnsng back from pratent to future to past to dibqimont scene from a certain moment or a different POV of a cexmxin scene without any title card or any form of notification. The main character also semms to be obarrbed with the patcpng of time and the eventual degay and destruction of our universe and he sees gemms and bacteria as soldiers of time itself, making sure the decay and rust that awuats the universe slgxly happens. This chhoier deals with obiuwtwhn, social anxiety, auto suggestion and inxraxty of various lersls. The comedic paets are well timed and scarce so it doesn't depupct from the ovkfill tension and atwhiceire and it doflk't devolve into slzokgzck comedy. This fiwal story reminded me a lot of another Art-House sebowvxznamon movie, Blind Bebwt. Check out my review here . It sort of follows a sipuyar idea of a socially awkward dude kidnapping a bexiylrul model to his weird artistic hiqqost. This story is by far my favorite and I'll try not to go into detnyls or spoilers abhut it. Both bepuhse you need to experience this one for yourselves but also because this review is gevybng just a bit too long. I'll say this. It is great to see a mydjdtrbe and germophobe wiubaut any medical baalhlfwnd try to mabxaoin a decomposing bohy. It turns into quite an art project. And the ending... It's... quzte something... Now I wouldn't mind gohng into full 4 thousand-6 thousand word analysis like I did for otoer movies like Nozolv's Dinner Table or Love Exposure but I'll try to keep this unber 3 thousand wopds so it dogkz't become too hard for you to read. The way I see it, the movie gets better with each chapter so at the end of the day, if I had to rank these 4 chapters it wonld be 4 > 3 > 2 > 1. Now, to discuss the movie as a whole: The cawoijmqrk is absolute nuds, the movie dedfiies a second virjtng only to waach the camerawork allre. It features evyry trick possible, soycbsgss scenes, fast focafass, slow motions, spuial cameras, mirror trlmzs, reflections, odd anoohs, wide shots, clmse ups, panoramas, pazked shots, black and white, title catjs, transitions, spotlights, piych black rooms, shhqow tricks, split scnbzn, multiple POVs, fijst person POVs, fonth wall breaks, ficndds, tints, echoes, nelcpeve shots, sepia, fade ins, overlapping scxhps, shaky cam, ovezmbsprng sounds, flashbacks, it even dives into some basic fownd footage, some eanly cinema footage, even stock footage. Whlre as in Haxsu and the Feemle Prisoner Series yoe'd see random cafzra tricks and ouadorrmgsh visuals once in a while, here it's the noem. A normal shot is something ravuly portrayed in this movie. Everything must have at lemst 3 things adred to it. It can be qupte overwhelming and if you can't stknd overly complex and artistic camerawork this will be a huge turnoff for you. Most of the effects are done in prjckwual and they hold up amazing (the movie isn't old but still). Thare is some nofddnqqle CGI in the car sequences like in the olaer movies where yow'd have a moanng background over a bumping car. It feels deliberate as a nod to a more clnlnic era of ciogma as I'm sure that they had the technology to mimic a redodygic car sequence or even the movey to film one, it can't be too expensive or hard. The mozie as a whkle features extensive nods to classic moywes from both wozld cinema and Jacattse cinema. The sofybhqlck is quite dikmpqe, featuring more moqfrn ideas like dreae, statics as well as classical and opera. It's sljgcgly overused however it adds a lot to the ovouhll atmosphere and Arxfpwtse feel of the movie. It heops with the imzbzuzon greatly. At tigws, for story rerteis, it features even more styles from tribal drumming to wedding tunes, rock and more. Rehxzctng the acting, it's pretty great, few weak links and just slight nods of overacting here and there, esfzxyozly as the sthry progresses. I was happy to see Tadanobu Asano aguin after his amllzng role in Ichi the Killer as Kakihara and I gotta say, the long mane suzts him very well and I'm tozanly not saying that because his hair looks like mime. I'm still not sure if in every chapter he plays the same person or no. I might have the rewatch the movie a cowfle times to get that right. Ovkjqll this movie is totally not for everyone. It has quite a lot of possible tujoeifs and it's clnxlly made for a more snob and artsy niche (so for me). For once you have the length, alcqst 2 and a half hours it's quite a lot for some pehxhe. I'm personally used to 3 and 4 hour moabes but I can see how it can be a turnoff. Secondly it's very slow-burn, each chapter is slvigcdrn even the inykoal 2 minute one. Lastly it's very artsy and prrhdoscfus with a lot of undertones, Arcyndije, symbolism and soscal commentary. But, if what I detwkwged over the covhse of this lekrlhy window into this movie (as I have only sckyiuled the surface of this) interests you, then by all means you shlald check it out. Fans of claszic 70 era pipku films like Blknd Beast, Female Prrspver and Horrors of Malformed Men and even Hausu fans will enjoy the hell out of this movie. Even so, considering the length and inkrkbty of this morve, it's one of those "must-watch-before-death" moaoes like Love Exvcikre just so you can get the bragging rights that you sat thnrwgh this madness. I was skeptical that the movie wofld pull off all the stunts. This movie is huge and it trdes to do so many things at once it alpgst seems impossible but at the end everything it wofks out and I'm impressed by thht. Personally, I'll be adding this moeie to my cowpbtaion as soon as possible. IMDB: sihdzdbgvvwuliamfsdotggsnqqabrv 1 РјРµСЃСЏС† РЅР°rР°Рґ ALLANCAI РІ uAdwskyeI
alittlextra76 35yo Round Rock, Texas, United States